Whenever an opportunity to reupholster furniture comes with a fairly open brief in terms of design I always meet it with a sense of excitement, anticipation and just a little anxiety.
So when Jay Blades and the Money for Nothing film crew came to my studio with these two sorry-looking farmhouse style rocking and static armchairs, despite my initial reactions I did have a few ideas bubbling up for the cushions the overall look, however, unfortunately, due to time pressures and other projects on the bench, There wasn’t enough time to come up with another of my own completely original fabric designs.
I did, however, have a vision in mind of some types of fabrics I wanted to use. Being a Massive fan of Timorous Beasties work in Scotland I had to get my hands on one of their amazing designs.
How I treated the show wood was a question I pondered on for a while:
With great respect to the growing numbers of upcyclers, hobbyists and others keen to revamp their furniture, I wanted to treat the wood to a finish which was a bit different than just simply repainting, and consequently hiding the wonderful grain patterns, knots and characteristics of these Beech wood frames.
Inspiration came within a few feet of my cutting bench when I noticed while sewing some offcuts of a Designers Guild fabric under the cutting table I had used earlier on this year. A wool from their Capisoli range which had a vertical Ombré effect. I thought: ” What If I translated that effect into the wood using a wood stain as opposed to a paint?
May I present to you this re-imagined vintage farmhouse chairs, now in a stunning @timorous_beasties #Grand Blotch Damask.
Accented with Tangerine velvet piping from @kobe_interior_design “Real” velvet range and complementary border fabrics made from @sanderson1860 “Brianza” creamy velvet.
These chairs had to be fully restored: All joints, back rails, and broken spindles fully repaired and all suspension systems cleaned and refitted.
I created a custom wood stain with a “3D Ombré” effect. Featuring deep forest greens moving through to autumnal moss. enhanced through many polished layers of Beeswax.
To be honest this project became more a labour of love than money folks. Hopefully, these two lovelies will feature in a future episode of @monfornothing for BBC1
Many thanks go out to Olga Mackenzie and Rowena Murphy for their assistance, and Tom Foy for all his woodworking advice and masterful craftsmanship in replacing the broken inside back wood dowel.
Atelier Ray Clarke Ltd T/A Ray Clarke Upholstery & Design Company registration number :12018355
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