Tag: Reupholstered

A Fully Restored & Rocking Parker Knoll…

Before:

There was a time earlier this year when I found myself feeling blocked and overwhelmed  with the amount of projects I had taken on and I needed some help and business advice on how to manage the multiple projects I had taken on .
I sought help and advice through The AMUSF (Association of Master Upholsterers & Soft Furnishers) and I also looked at the Opportunity website, which linked me up to a Business counsellor, Dr Wayne Wright. and I took on a few assistants who helped me get my workload down to more manageable levels while at the same time helping me to increase my productivity.

Wayne entered my studio and immediately went to work setting me up with project management systems and helped me streamline my production of estimates and invoices.  As cashflow was really tight in return for his counselling and advice I offered to restore a chair for him in return for his help.

After:

It took little while as I had to get through a number of outstanding projects since the move to a new studio space, and it took a while to confirm a suitable fabric with my client, However with the fantastic help of Rowena Murphy, a recent graduate from Shoreditch Design Rooms and Anna F, we managed to get through a number of upholstery projects as well as turn out this fully restored piece just in time for Xmas eve, now recovered in  a smart woven wool from Eleanor Pritchard Studio (many thanks for taking my late order with a lightening quick turnaround!)

My thanks and congratulations for superb attention to detail (particularly the wood finishing) by Rowena.

I think my client was happy as he gave me a lovely bottle of Prosecco which , at the end of a particularly busy month (and a phenomenal year) ,which was enjoyed in timely fashion!

Afrotechicolour therapy.. A wax block print patchwork chair

 

Before:

Rick Holland Donor chair4


This Mid-20th century modern piece was given to me back in 2010 by super talented artist, print & textiles designer and all round lovely lady Hannah Edy.

Although it was very much the worse for wear I faithfully kept it in storage thinking “That’ll be a great chair again someday..”

The opportunity to transform this piece came just after Xmas 2014, when a lovely couple contacted me from Mill Hill, NW7 and then made a few journeys’ down to my studio to chat with me about a piece they had previously seen online of my first attempt, a tub chair, at an waxblock patchwork print from a collaboration with Chantal Koning YouMeWe .

The process of transforming and updating this piece was a totally different challenge from my first version.

..A chair can take 8 hours or, in this case 40+ . It depends on your customers budget & ultimately how much love and care you wish to put into its re-upholstery.

This chair alone involves 74 carefully selected , cut, made compliant and stitched panels.

AFTER:

With new fillings of new rubberised hair and foams replaced the hopelessly deteriorated & crumbly foams.  A brand new serpentine spring suspension system, all lashed together(so the springs move in unison)upgraded and replaced the broken dried out Pirelli webbing which was originally stapled to the frame . The buttons are Nobilis Velvet, along with the fabrics, were chosen specifically and carefully between myself and the customer with all fabrics made compliant to the Health,Safety & Fire Regs (1988) through the use of a flame retardant barriercloth.

The Ottoman stools were built from scratch, along with a pair of duck,n,down feather-filled Scatter cushions

My deep thanks go out to Anna who assisted in the rip-down and was a great help for me to bounce off fabric selection ideas, Chantal Koning of YouMeWe for fabric inspiration and sourcing

and to Rick Holland & Katie Pomklova for their patience and input while I put together this work for them.

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Getting off the Bench: Reworking a B&B Italia piece…

 

Before:

Before B&B Italia Charles Bench

I was asked by my customer to take this B&B Italia Italia “Charles” Bench , reduce it’s height by 1″and then deep-button (or “tuft” if you are reading this in the US) in a Sanderson Taormina velvet replacing the tired,

cat scratched and shrunk-in the-wash look of its original cover.

“Looks simple enough a task to me” you might say, until you realise upon removing the cover what is going on underneath; that the whole frame is made from

steel tubing and the high density foam sits directly on a bed of super strength jumbo elastic 3″ webbing.

Of the various ways that could secure the buttoning (sorry, saying “tufting” just doesn’t work for me!), I wanted to use a system that I felt would have the most inflexibility, by which I mean that over time, the pleats wouldn’t be tempted to move around over the foam and elasticated base, while still retaining the look and finish that would still respect the overall original design for Antonio Citterio for B&B Italia by Antonio Citterio

Processes I employed involved getting the whole foam cut down on a giant foam cutting bandsaw, removing the foam entirely from the frame, applying 120z hessian to the base of the foams, removing rubber strips from the tubular steel frame and introducing cut hardwood patterns to provide a tackable surface to secure the buttoning cord and cutting, and fitting extra wood strips as well as applying 1″ extra foam and sundries around the base of the bench which helped to “fill” the gap left between the legs and the base of the bench left from fitting the new cover.

As well as successfully “Van-Dyking” the Velvet as the overall bench width was wider then then width of the roll when taking into consideration the direction of the pile

After

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Double trouble ..

I cannot deny that finishing these pieces of mid-century british furniture from G-plan was a tremendous relief for me (as well as the customer) It represented overcoming a real mental hurdle as for some reason I had got myself mentally “stuck”: I had previously upholstered a type 6250 in fabric for a friend before however this time I was asked to refurbish and recover these in a beautiful “Cowboy Burnt Tan” hide from Wildman & Bugby. So converting the fabric meterage to “hides” was a new lesson. I was recommended to the owners of these chairs, who are a lovely family living up In Chalfont St. Giles. They  also gave me  a matching footstool, a bent plywood G.A. Jenkins /Tecta chair and a children’s toy to re-upholster, recover and repair   respectively) of these pieces by  Photographer and friend Roulla Giorgio.  They showed me great patience during the process of producing these I went for an “advanced buttoning tutorial from my old tutor through which I gained more confidence to tackle both pieces.

I didn’t do myself any favours by going for full deep buttoning whereas the “original” cover only had “floating” buttons through sewn seams and also choosing to create a custom suspension system; re-enforcing the base of each seat first to accommodate carefully positioned Serpentine (zig-zag) springs, lashed together  between the original rocking mechanisms so that they provided optimum support without interfering with the rockers. This replaced the elastic green webbing which the seats bases had been previously fitted with.

..before

Before-Pic-G-plan-x2

 

 

 

and after

 

 

 

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Presenting the final of the two chairs gave me an opportunity to invite Roulla to accompany me to the family home to finally shoot the chairs and that evening  we were both treated to a Sushi dinner made by the family

My sincere thanks to Emilios & Julia , Roulla Giorgio and Wendy Shorter Interiors for the training.

Returned to sender: A reproduction Louis XIV in vintage French Postal Sackcloth

To meet my customers’ budget , this reproduction French Louis XIV was  rewebbed and resprung traditionally. The old degraded foams were completely replaced with a combination of rubberised hair, composite foams and a linen scrim-covered tack roll which was tacked in place for a much improved feel to the seat. The reupholstered fillings and suspension were covered in an F/R barriercloth before an original French postal sackcloth was carefully cut and fitted. Finally trimming the piece with a lush Lemonade velvet piping from Today’s Interiors.
Many thanks to Katy Chaytor-Hill for the rip down

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Atelier Ray Clarke Ltd T/A Ray Clarke Upholstery & Design Company registration number :12018355