Tag: sofa

Turned out “Awight” : A two seater transformation

Before:

Producing work for the show @MonForNothing has been a privilege and a pleasure. As well as the exposure, you never truly know who’s watching.

So it was a massive suprise when a television celebrity whom I used to watch on Saturday evening TV shows like “Strike it lucky” and “Family Fortunes” as a kid, calls me up to tell me how much he enjoyed the show and that he would like me to transform an old 2- seater sofa that needed a little love and attention, going into his fantastic newly refurbished and redecorated west London apartment.

After:

After a great visit to my workshop for a fabric consultation, my customer went for a very classy herringbone weave from Harlequin’s Parquet collection in colour Bramble .

finishing the arm scrolls, piping and buttoning in a dark chocolate leather to compliment the restained and polished legs.

 My customer was so pleased with the sofa he ordered an additional bolster cushion, which I created using a fantastic print from Morris & Co. “Forrest” in colour Charcoal, Designed by Alison Gee in 2013

It was a great pleasure to complete the works for this customer who has been very kind, gracious, patient and supportive of my work. His wonderful home has been a great resource of artitic inspiration and it is an

honour to have my work among his great collection of art & furniture.

My Heartfelt thanks to Rowena Murphy and Anna F for their assistance in helping me re-create a lovely piece.

A Roche Bobois Reimagined…

Before:

Getting the opportunity to transform a piece of “High-end” furniture for an high profile customers Trish Evans & Baz Bamigboye was more than a pleasure. It was a complete privilege. From the moment the owners of this statement piece of 20th century modern furniture contacted me. I knew that something special would emerge. The fabrics and colours chosen complimented the other existing pieces as well a wall hanging sourced from their adventures in India.  Trish very kindly brought over the first sections and as time progressed the sofa would involve a tremendous  amount of cutting, sewing , hand-stitching, stuffing, buttoning and finishing. The process of re-upholstery was delayed as my studio had succumb to an “unimaginable”flood and a clean-up operation, which in and of itself tested my resolve greater than the project itself (more about that flood perhaps in another post)

After:

This Roche Bobois Mah Jong sofa  reimagined in a selection of sumputous Designers Guild velvets in Azure, Granite and Pale Jade from their Varese range. Combined with an additional Teal velvet from Iwantfabric.com.

All fabrics were made compliant to meet UK Health safety & Fire Regulations.

My hearfelt thanks go out to Rowena Murphy and Anna Frisch for their amazing assistance during the process of re-upholstery and special thanks to Trish & Baz for their patience, compassion, understanding , support and custom.

Cutting the Mustard: A Mid 20th-Century Sofa Makeover

Before:

Completion of this Mid-Century sofa bed in brought it’s own pleasures and heartbreaks:
Producing the cover buttons broke my button pressing machine! Plus removal of the original seat/ daybed fillings revealed hair infested with a particularly vicious dust mite (they bite!)

After:

Many thanks to @rowenamurphyupholstery for her assistance, Master Upholsterer @sjfranklin69 for giving me a replacement button press, and Brisqq for another swift & safe delivery.

Finished and in situ. Client is happy so I’m very happy ….

Do you think this piece cuts the mustard? Leave your comments below. Many thanks!

BBC Money for Nothing project series 2 episode 14: Leather & Linen Love

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The second of the 2 projects I completed for the 2nd BBC1 Television series of  “Money For Nothing“, was a 2-seater “department store” sofa, which was saved from the rubbish tip (and potential landfill) by presenter Sarah Moore.

What started out as a concept recover working with an idea Sarah had in mind , ended up becoming (almost) a complete rip-down to the frame,repair, refurbishments , reupholstery & new concept cover.

The amount of cardboard and cheap materials used in its construction brought out the sort of language not fit for public ears , and thankfully was edited out/ “left on the cutting room floor”.

Even though I had an image in my minds eye of the overall look Sarah & I wanted to achieve it took a while for me to “get into” the overall concept.

However , I persevered  and after “ripping down” removing every last piece of “rubbish” cardboard, replacing the fillings in the arms with good quality webbing, hessians, rubberised hair and new foams forming the arms. Coming up with the hand stitched leather and linen “elbow patch” arm panels  and the ” raw “finished edges  and leather piping and the use of a complimentary simulated suede super fabric to bring together the leather and linen elements, the rest of the sofas overall look “came into focus” fairly quickly.

Introducing nice little touches like the leather & linen scrolls on the sides of the back , and more patches finishing off the front borders’ at the corners above the rubbed down stained & beeswaxed  legs, and replacing the worn out polyester fibre filled seat cushions with

high-grade, shaped ,quality foam (wrapped)cores , while at the same time making sure every element of the cover conformed to strict UK health safety & fire regulations through the use of a Flame retardent barrier cloth behind the top cover brought a rustic, raw, country feel with a superb level of comfort that thankfully, a couple were so enamoured with once they had seen and sat on it, had purchased it at Sarah’s Barnyard sale and at a “blinking good price” for the quality and labour which went into it which maybe should of sold for much more but hey, I’m just grateful that it sold at a profit which was returned to the surprised and delighted previous owner.

Sarah-Moore-&-Ray-Clarke-MFN

Before:

Knoll-style 2-seater chair BBCTV MFN

After:

 

Leather&Linen sofa By Ray Clarke For Money for Nothing

 

My heartfelt thanks go out to everyone I roped into helping me complete this particular project: Anna Frisch, Joanna Maeva, All the production team at Friel Kean Films, The Cloth Shop, my upholstery warehousemen/suppliers, Wendy Shorter, Louise at Shoreditch Design Rooms, My Dearest Louise Jinks, Nina, Jan Etoile and all my dear friends who consoled, counselled and fed me tea, biscuits, words of encouragement and support along the way.

 

 

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Visions in Svenskt Tenn & Zoffany for Nicola Holden Designs..

May & June were spent refurbishing and recovering a 2-seater Henderson Russell Balzac-style sofa, which involved replacing a broken front beam (and refitting the serpentine spring suspension system), with a piece of reclaimed oak, found at a local recycled timber merchants just down the road from my studio, along with an armchair, in Zoffany’s Romany Grey , a vanity stool in clients own fabric (unknown) and a set of 4 Mid-20th Century modern dining room chairs in Svenskt Tenn “Celotocaulis” , designed by Josef frank in the 1920’s, and a late 20th century rocking chair in Svenskt Tenn “Elefant“, designed by Estrid Ericsson. All for a lovely home in Ealing, west London on behalf of Nicola Holden Designs.
Henderson-Russell-Balszac-Style-sofa-in-Zoffany-Romany-Grey

 

Henderson Russel Balszac-Style Chair

 

Henderson-Rusell-Balszac-Style-Sofa-In-Zoffany-Grey-Studio

 

Vanity Stool Nicola holden

 

Rocking chair Nicola Holden

 

Dining-room-chairs-in-Svenskt-tenn

A Tickled Pink Parker Knoll Story …

Before:

Even though I explained that the cost of repair, refurbishment and recovery was comparable to Buying a completely brand new sofa my customer definitely wanted to have this Mid/late 20th Century modern Parker Knoll sofa restored to better than its former glory, as she loved the shape and size and practicality of it; with its fold down arms and fold away back allowing it to provide a great place to rest for her guests.

 After getting it into the studio, the rip-down revealed the extent of the complete seat failure. So I replaced all the broken serpentine springs, lashing them together with the still in good condition steel rods and clips (which took a little time and were a bugger to remove and replace!)

This time I also fitted and lashed hessian to the springs (something that wasn’t done originally), before fitting new wrapped seat foams. Refurbishing the arms with rubberised hair and foams and wrapping them in polyester before  cutting, stitching and fitting the new covers (backed with F/R barrier cloth to make the piece compliant) in a lovely pink velvet called “Peony” from Harlequin

My biggest challenge came with refitting the drop-arm mechanisms: Just when I needed to look at some old photos on my phone with just hours left before delivery,  I managed to loose a number of photo’s on my phone! Which were supposed to remind me of how to replace the drop-arm mechanisms in the arms. On that (very early) morning start I contacted some fellow upholsterers online. Shortly after a coffee I quietly and calmly thought the process through. By the time I did get some great responses back from the forum I had already worked out how to replace them! (Many thanks to those ladies and gentlemen for your input in any case) Nothing beats being able to figure things out for yourself !
Parker-Knoll-Just-collected-and-in-the-studio

After:

Before taking on this project I promised myself I wouldn’t ever work with “Shiny” or metallic Velvets  (They are usually not to my taste) ..However this velvet grew on me as I used it, the colour was lush and deep and for me had just the right level of lustre and by the end result It not only brightened up my studio, but brightened up my customers face and livened up her living room!

Ps: A big Thank you to my mate JJ for helping me deliver it: You’re a diamond!

Finished-and-delivered

 

 

Parker-Knoll-sofa-bed-conversion

 

 

 

 

“Sweets for my Suite”…An Art Deco-style 3-piece in Designers Guild Richelieu Dusk & Aubergine

My sincerest thanks to Aine Sheehan for her french polishing,  and finishing(hand-sewing)skills, Anna F for her pattern-forming & cutting and Ola (of Global Chauffeurs ), as well as Addison Lee vans for assisting me in the refurbishment,recover ,production and delivery of a 3-piece art-deco-style suite and complete set of 16 bespoke banquette seat cushions for a very patient high-profile client in Clapham, South London. A lot of stitching (particularly double-piping)went into this. Many lessons in time, human resourcing and project management learned.

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Atelier Ray Clarke Ltd T/A Ray Clarke Upholstery & Design Company registration number :12018355