Pretty in Pink Parker Knoll#2

Hey thanks NicolaIt has been a fair while since I’ve posted on my website (sorry about that- I’ve had alot on!). Longer still since I’ve had an opportunity to work on a Parker Knoll Sofa-bed.
Like waiting around ages for a bus – Then two come at once!

Well in truth, I completed refurbishment and recover of two Parker Knoll sofas at different times last year for the same lovely couple based near Turnpike Lane in North London

The most recent refurbishment and recover , in an eye-catching pink Velvet from @Kobe_interior_design, from their ” Real Velvet”, was in such a poor state on arrival to my workshop that full re-upholstery had to be undertaken.

Once upholstery was completed. I had to change the worn and damaged old mixed pairs of castors to a gorgeous set of brand new Sheperd Kenrick castors, otherwise it would would of looked like the equivalent of shoving on an old pair of battered trainers on a bespoke tailored suit!

As it took me a while to complete both , It also took my customer a while to find the right lighting before sending me some gorgeous photos of it in situ.

Pretty in Pink! (isn’t she?)

My heartfelt thanks to all the valued assistants who have helped me to complete this project :Anna F, Rowena Murphy and Jane Latchford




More Monkey Madness: Transforming a Wingback Chair

Before:

This wingback chair was originally donated to me by my good friend, super talented artist and fellow meditator Raksha Patel, which was found discarded on the site of Raksha’s old studio many years ago, at a time when she and a group of her fellow artist friends had to leave a block of studios they used in west London which were being converted into luxury apartments.

For a while there it took pride of place in my living room, giving me a place to sit after many long hours at the workbench. Although it arrived grubby and unloved, I knew If I held onto it long enough , eventually I would find the time to reupholster it.

Thanks to (repeated) episodes of Money for Nothing, a fan of the BBC show got in touch,  requesting a wingback chair to be recovered in my Monkey print, which they had seen on the show. I had other donor chairs but the shapes were not suitable so in the end I offered them the chair. Although I was alittle sad to see it go, I couldnt miss this perfect opportunity to transform the piece and, in my own fabric design.

The ” Rip down” process revealed a really shoddy build quality and a shocking use of really low grade upholstery materials, ripping out cardboard and plastic webbing , which I had ripped out and replaced with Strong elastic webbing , 120z hessian and rubberised hair behind, and to bolster the existing foams used to create the arm shapes. I went on to protect the existing foams in the back and seat suspensions, though the additional use of 12oz Hessian and Polyester Skin wadding, which was completely missing in the original chairs manufacture.

 

 

After:

Refurbished and transformed, the old chair did take a little longer to complete than I had originally hoped. However it was finally looking resplendant in my own signature Monkey print on moleskin Velvet, trimmed with Zoffany Velvet and complimented with Sanderson Brianza . With the new Beech wood Queen anne legs , customised in my own spirit-based grey woodstain.

 

My Many thanks go out to Stacey Lewis, a fellow upholsterer, who came in to assist me in getting this ready, as well as helping me work through many projects in my workshop (reducing my backlog). I also want to say a special thank you to Anna Frisch for her assistance , Heritage Upholstery Supplies for helping me source the new legs. I also wish to thank Anyvan.com for the swift, safe and affordable courier delivery up to Dunstable. My Customer had originally commisioned the piece for her sister, who  upon seeing it, said

“It was better than she thought,  loves the fabric used and was over the moon!”

 

 

A Roche Bobois Reimagined…

Before:

Getting the opportunity to transform a piece of “High-end” furniture for an high profile customers Trish Evans & Baz Bamigboye was more than a pleasure. It was a complete privilege. From the moment the owners of this statement piece of 20th century modern furniture contacted me. I knew that something special would emerge. The fabrics and colours chosen complimented the other existing pieces as well a wall hanging sourced from their adventures in India.  Trish very kindly brought over the first sections and as time progressed the sofa would involve a tremendous  amount of cutting, sewing , hand-stitching, stuffing, buttoning and finishing. The process of re-upholstery was delayed as my studio had succumb to an “unimaginable”flood and a clean-up operation, which in and of itself tested my resolve greater than the project itself (more about that flood perhaps in another post)

After:

This Roche Bobois Mah Jong sofa  reimagined in a selection of sumputous Designers Guild velvets in Azure, Granite and Pale Jade from their Varese range. Combined with an additional Teal velvet from Iwantfabric.com.

All fabrics were made compliant to meet UK Health safety & Fire Regulations.

My hearfelt thanks go out to Rowena Murphy and Anna Frisch for their amazing assistance during the process of re-upholstery and special thanks to Trish & Baz for their patience, compassion, understanding , support and custom.

Money for Nothing Project5: Jay VS Ray (Round2) Rocking a Pair of Farmhouse Chairs

Before:

Whenever an opportunity to reupholster furniture comes with a fairly open brief in terms of design  I always meet it with a sense of excitement, anticipation and just a little anxiety.

So when Jay Blades and the Money for Nothing film crew came to my studio with these two sorry-looking farmhouse style rocking and static armchairs, despite my initial reactions I did have a few ideas bubbling up for the cushions the overall look, however, unfortunately, due to time pressures and other projects on the bench, There wasn’t enough time to come up with another of my own completely original fabric designs.

I did, however, have a vision in mind of some types of fabrics I wanted to use. Being a Massive fan of Timorous Beasties work in Scotland I had to get my hands on one of their amazing designs.

How I treated the show wood was a question I pondered on for a while:

With great respect to the growing numbers of upcyclers, hobbyists and others keen to revamp their furniture, I wanted to treat the wood to a  finish which was a bit different than just simply repainting, and consequently hiding the wonderful grain patterns, knots and characteristics of these Beech wood frames.

Inspiration came within a few feet of my cutting bench when I noticed while sewing some offcuts of a Designers Guild fabric under the cutting table I had used earlier on this year. A wool from their Capisoli range which had a vertical Ombré effect. I thought: ” What If I translated that effect into the wood using a wood stain as opposed to a paint?

After:

May I present to you this re-imagined vintage farmhouse chairs, now in a stunning @timorous_beasties #Grand Blotch Damask.

Accented with Tangerine velvet piping from @kobe_interior_design “Real” velvet range and complementary border fabrics made from @sanderson1860 “Brianza” creamy velvet.

These chairs had to be fully restored: All joints, back rails, and broken spindles fully repaired and all suspension systems cleaned and refitted.

I  created a custom wood stain with a “3D Ombré” effect.  Featuring deep forest greens moving through to autumnal moss. enhanced through many polished layers of  Beeswax.
To be honest this project became more a labour of love than money folks. Hopefully, these two lovelies will feature in a future episode of @monfornothing for BBC1
Many thanks go out to Olga Mackenzie and Rowena Murphy for their assistance, and Tom Foy for all his woodworking advice and masterful craftsmanship in replacing the broken inside back wood dowel.

 

 

Cutting the Mustard: A Mid 20th-Century Sofa Makeover

Before:

Completion of this Mid-Century sofa bed in brought it’s own pleasures and heartbreaks:
Producing the cover buttons broke my button pressing machine! Plus removal of the original seat/ daybed fillings revealed hair infested with a particularly vicious dust mite (they bite!)

After:

Many thanks to @rowenamurphyupholstery for her assistance, Master Upholsterer @sjfranklin69 for giving me a replacement button press, and Brisqq for another swift & safe delivery.

Finished and in situ. Client is happy so I’m very happy ….

Do you think this piece cuts the mustard? Leave your comments below. Many thanks!

To Be Frank, I think Josef is amazing..

Before:

Two sets of  four mid 20th century modern dining room chairs were given a smart refurbishment once they arrived at my studio.

From the look of the show wood they had experienced some water damage and the fillings had completely disintegrated beyond the point from which they could be re-used.

After:

A bit of love and attention to the show wood, some new composite foams protected with skin wadding, and a barrier cloth,

the chairs’ seats were finished smart linen from Svenskt Tenn screen-printed with an original 1930’s design called “Celotocaulis” by Josef Frank.

“Celoto” comes from an asian flower species characterised by a plume-like flower decoration and “Caulis” is the Latin word for flower stalk.

The thing I love about Josef franks’ work is you can clearly see and get a feel of the inspiration that Josef gained through his travels around the world,

which clearly informs the many dozens of designs he left to Estrid Ericson and the Svenskt Tenn company after his death.

A rich and enduring print and textile design legacy that transforms any piece of furniture brave enough to wish to have itself reimagined in.

A great little upholstery project which inspires me to continue to evolve my own sense of design.

With Many thanks To Nicola Holden Interiors

A Traditional Transformation …

Before:

I absolutely love transforming antique furniture with clever colourful combinations of modern fabrics and colours. The process becomes all the more enjoyable when I get to employ traditional upholstery techniques, as was the case with these two antique cane-backed pieces of furniture on behalf of Nicola Holden Interiors, who had a client based in Kew who wished to use a combination of Robert Allen fabrics and plush velvet piping to give a contemporary twist to these two traditional furniture pieces.

After:

A lot of work went into rewebbing, springing, stitching,  stuffing and revitalising all the seat suspensions. Providing a robust foundation from which I made seat pads choosing a foam core/feather wrap, giving optimum comfort levels  for the bespoke seat cushions and new and fully filled duck & down feather back cushions.

Before:

After:

My many thanks to Anna F and Rowena Murphy for their assistance in helping me transform these pieces, and to Nicola & Nick Holden and their client for their patience as I enjoyed some memorable sunny days in the new studio space, listening to the sounds of “A Moon Shaped Pool”, the most recent album from Radiohead.

A splash of colour to chase away those winter blues..

After:

A parting shot of this winged Parker Knoll-style armchair, completely re-upholstered using modern techniques and materials,

is now hopefully brightening the cold dark and grey winter months at a lovely home in Ealing, West London.

Covered in #SvensktTenn #Joseffrank #Teheran

 

Before:

Every genuine Parker Knoll I have ever worked on carries a manufacturers stamp on the frame with a product number. This chair did not carry that stamp and so I had to treat it as a mid-century modern winged armchair in a style similar to a Parker Knoll.

As I had no idea of the true origins of the chair (make and model) I treated all the aged foams on the inside back and seat as not fit-for-purpose as I was uncertain as to their flame retardancy. Fitting new rubberised hair and medium grade foams, wrapped in polyester skin wadding was, legally, the best choice I thought I could make , ensuring the fillings didn’t exceed the shapes and thickness of the originally fitted foams.

The elastic webbing on the seat disintegrated upon removal so there was no sense trying to refit already damaged seat webs into a chair which needed new fillings and an expensive fabric top cover to be fitted. So the seat webs were upgraded to Pirelli webbing, fitted to prolong the suspension’s life within the chair.

As for the seat cushion itself;  the original filling, which in itself had degraded had no protection between the original foam and it’s top cover, this would have made the seat unusable within a short period of time of constant use. Simply recovering in the manor it came in would have worn out both the seat foam and the new linen top cover , as well as not necessarily conforming to the relevant health safety & fire regs. for domestic furniture.  I replaced the old foam with a medium soft grade foam, wrapped in white polyester skin wadding and stockinette, which protects the foam and the top cover from excessive wear through friction and ultra violet light (which degrades foam) while keeping all the fillings in place, having cut and shaped the foam and stitching its cover to the same size and shape as the original cushion .

My favourite aspects which I brought into the treatment and application of this wonderful fabric include the 7-colour topstitching on the seat cushion border, and the two velvet colour-coded cover buttons fitted into the inside back.

As the fabric itself was not compliant, the use of a wool safe flame retardant barriercloth was used between all of the fabric used in the chair and the fillings, additionally helping to prolong the life of the fabric from excessive wear.

My heartfelt thanks go out to Rowena Murphy who assisted me in the full re-upholstery of this statement piece.

Money for Nothing Project 3 “Galactic Octopus”© 2016 Dining room chairs

Ladies & Gentleman, may I introduce my second fabric design: “Galactic Octopus”©2016 .(No filter needed!)

This design is hopefully featuring in a new series of @monfornothing with the irrepressible @sarahmoorestuff , soon to appear on BBC TV (I’ll let you folks know in good time)

Many thanks to @rowenamurphyupholstery@digetex and @sparrow_tweets@minx_creative and my dear @jinksy70their amazing input and support.


Stay tuned folks as I’ll update this blog as I know more about the programme release dates ..  #moneyfornothing#Galacticoctopusfabric

2016-07-14-12-28-44-2

galactic-octopus-dining-room-chairs

BBC1 Money for Nothing Project 1: My monkey madness transformed this mid-century modern armchair

Hopefully if you’ve been practising upholstery and soft furnishings and successfully completing lots of good work for a fair amount of time eventually you will come across a project which not only lights your fire but opens up all kinds of possibilities that you previously either hadn’t considered or hadn’t had the chance to do.

In January this year , I was given just that sort of opportunity; to not only provide upholstery, but given (almost) free reign to explore (and hopefully exceed) any limits of my creative expression.

Enter Friel-Kean Films, producers of the BBC TV SHOW “Money For Nothing” , ever growing its audience base, it is becoming one of the most popular shows on the BBC.

For those who have not seen it click on the link Here :

IMG_4108

The premise of the show is simple:

Presenter, upcycler, entrepreneur and furniture and antiques enthusiast Sarah Moore goes up and down this green and pleasant land saving industrial and household waste thrown away at refuse and recycling centres by the general public, who don’t see the potential and value in the things that they throw away, like some sort of frenzied furniture Womble” (older readers may get the reference).

Then in each episode Sarah gives items she’s found to featured artisans and craftspeople, paying them to transform the items into hopefully beautiful, desirable, functional, saleable finished pieces.

Sarah then takes the items and resells them , hopefully at a profit, with which she then visits the previous owners of theitems, handing them cash to surprised and sometimes bemused faces, at the end of each successful project, hopefully demonstrating that in the right hands, It is quite possible to turn trash into cash.

I was recommended to the producers of the show by Amy Cawson of ” Florrie & Bill” fame , and by the irrepressible Jay Blades, of Jay & Co

(Thanks for that you lovely people!)

 Sarah arrived at my studio with 3 different projects. one of which I had to turn away due to the timescales involved. The first project I was itching to have a crack at was this Mid-20th century modern armchair I surmised from the materials used and its construction. Despite no clear manufacturers stamp I felt it had a lot of character.

Antique winged armchair MFN BBCTV

AfterThe Monkey ChairThroughout the 10 years+ I have practised upholstery and soft furnishings, I always harboured the ambition to design and produce my own furnishing fabrics.
This particular project gave me the impetus to finally bring (and update) my previous experiences in printed textile design back into my current creative expression through upholstery and soft furnishings.

2014-10-28 16.54.21

It was a magical day when I finally received my first digitally printed roll of fabric. I have been very fortunate to have been able to get access to and usefurnishing fabrics from some of the greatest companies in Europe and from around the world.

Nothing beats being able to produce your own designs, and then getting the ability to apply your fabric or design to a piece or pieces of furniture,

which, although the chair didn’t sell in time for the 1st airing of that episode, literally sold the very next day after it aired, to a lovely family who saw the show and my work, not only buying the chair but also a set of bespoke scatter cushions to compliment.

   2016-02-12 08.46.19

     2016-02-13 17.06.35

This experience continues to inspire me to not only come up with more designs but educates me in the process of marketing and selling the fabric,which for me is a continuous learning process.

Monkey Chair by Ray Clarke for BBC Money for Nothing

 

 

Back of Monkey chair

2016-05-12 11.39.07

 

2016-05-18 12.40.52

Like all shows, there have been some critics. Feedback I’ve read on social media about some of the items made on and for the show have focussed on the prices mentioned as not being a true reflection of the type of work involved, or comments on the look and quality of finish of some items. To those critics I say, it’s a TV show which in my experience has been mostly, and I hope continues to be, extremely positive.

Just doing this type of work gets great exposure. Plus the number and types of enquiries it generates, even though at times it may feel overwhelming (you have to fit it into what you’ve got currently on and around the workbench), well, that’s priceless.

If you are an upholsterer or designer-maker who loves what they do, when an opportunity like this comes to you, well, you’ve got to go for it!!

My heartfelt thanks go out to everyone I roped into helping me complete this particular project: Anna Frisch, Joanna Maeva,  all the production team at Friel Kean Films, The Cloth Shop, my upholstery warehousemen/suppliers, Wendy Shorter, Louise at Shoreditch Design Rooms, my dearest Louise Jinks, Nina, Jan Etoile and all my dear friends who consoled, counselled and fed me tea, biscuits, words of encouragement and support along the way.

  • 1
  • 2

Atelier Ray Clarke Ltd T/A Ray Clarke Upholstery & Design Company registration number :12018355