Tag: upholstery

Double trouble ..

I cannot deny that finishing these pieces of mid-century british furniture from G-plan was a tremendous relief for me (as well as the customer) It represented overcoming a real mental hurdle as for some reason I had got myself mentally “stuck”: I had previously upholstered a type 6250 in fabric for a friend before however this time I was asked to refurbish and recover these in a beautiful “Cowboy Burnt Tan” hide from Wildman & Bugby. So converting the fabric meterage to “hides” was a new lesson. I was recommended to the owners of these chairs, who are a lovely family living up In Chalfont St. Giles. They  also gave me  a matching footstool, a bent plywood G.A. Jenkins /Tecta chair and a children’s toy to re-upholster, recover and repair   respectively) of these pieces by  Photographer and friend Roulla Giorgio.  They showed me great patience during the process of producing these I went for an “advanced buttoning tutorial from my old tutor through which I gained more confidence to tackle both pieces.

I didn’t do myself any favours by going for full deep buttoning whereas the “original” cover only had “floating” buttons through sewn seams and also choosing to create a custom suspension system; re-enforcing the base of each seat first to accommodate carefully positioned Serpentine (zig-zag) springs, lashed together  between the original rocking mechanisms so that they provided optimum support without interfering with the rockers. This replaced the elastic green webbing which the seats bases had been previously fitted with.

..before

Before-Pic-G-plan-x2

 

 

 

and after

 

 

 

Twin-Ercol-image3

 

 

 

 


 

[portfolio_slideshow id=1547]

Presenting the final of the two chairs gave me an opportunity to invite Roulla to accompany me to the family home to finally shoot the chairs and that evening  we were both treated to a Sushi dinner made by the family

My sincere thanks to Emilios & Julia , Roulla Giorgio and Wendy Shorter Interiors for the training.

A Sherbourne Satire?: Refurbished and recovered

I don’t know..sometimes my customers come up with strange and wonderful requests!

After discussing at length this Fabrics “suitability” (I.e; This “Tea-towel” Linen had to be backed with an F/R barrier cloth)

Adding my own touch of a “Lemonade” Piping from Todays Interiors Palermo range and delivering it back to the customer, we both found this refurbished and recovered Sherbourne footstool rather amusing.

Royal-Footstool

2014-09-10 19.38.35

Detail-Labelling-Royal-Footstool

 [portfolio_slideshow id=1476]

Back to school …Go and stand in the corner

That “back to school” feeling always returns to me at this time of year..

One of the very first traditional upholstery exercises I was taught was a drop-in seat. This one inside this antique corner chair has a 1st stuffing layer of coir fibre (coconut hair)and a second stuffing layer of 80/20 animal hair. The show wood was cleaned up with wire wool and Beeswax bringing out the woods beautiful grain and colour, I hope the finish will bring even more smiles to cosmic couple Katie & Dominic Search who celebrated their 1st wedding anniversary during September.

 

Finished-drop-in-seat

 

 

 

 

 

[portfolio_slideshow id=1585]

Returned to sender: A reproduction Louis XIV in vintage French Postal Sackcloth

To meet my customers’ budget , this reproduction French Louis XIV was  rewebbed and resprung traditionally. The old degraded foams were completely replaced with a combination of rubberised hair, composite foams and a linen scrim-covered tack roll which was tacked in place for a much improved feel to the seat. The reupholstered fillings and suspension were covered in an F/R barriercloth before an original French postal sackcloth was carefully cut and fitted. Finally trimming the piece with a lush Lemonade velvet piping from Today’s Interiors.
Many thanks to Katy Chaytor-Hill for the rip down

2014-09-07-16.16.35

 

 

 

 

 

 

 

 

 

 

 

[portfolio_slideshow id=1507]

A Queen Anne Style in a wonderful weave…

Before..

James-chair-&-footstool

 

 

and After!..

Completely refurbished & recovered in Sandersons “Samarkand” (Colour Indigo).

For a very patient, kind & grateful couple near Crystal Palace (Thanks for that Beautiful bottle of Valpolicella (and that jar of homemade Chutney! )

James-Pearson-Chair

 

My thanks to Katy Chaytor Hill for her assistance

Ligne Roset Petite Siestre Armchair in Yarwood Hammersmith Moss Leather

before…ligne-roset-chair-before

..After

Petite-Siestre-chair2

While getting over a rotten head cold/feeling run down.. this became my first reclining armchair, a 12-year old Ligne Roset “Petite Seistre” in Yarwood Hammersmith “moss” Leather with mustard top-stitching. Challenges (apart from top-stitching ) involved sourcing the right colour and sized eyelets for fitting the head rest struts, and sourcing a new feet to replace the plastic ones (especially the one odd shaped one that was fitted as a replacement).

[portfolio_slideshow id=1382]

Working with Paul Firbank on Kevin’s McCloud’s Supersized Salvage

best-image2

In December/January this year I was contacted by a Paul Firbank, AKA The Rag & Bone Man, to come up with a technical solution to a chair he had designed and built. Paul is a wizard transforming scrap metal into desirable objects, lighting and furniture (check out some of his amazing work in this great video below)

The Rag & Bone Man from Make Your Bones on Vimeo.

At his invitation to site,  I opened a door (to what I thought was a disused retail space nearby Wembley Stadium) and was totally stunned (and excited)by what I saw: Paul and his team had been breaking up an Airbus 320 commercial airliner (minus its engines and landing gear). Working day & night transforming as much of the aircraft as they could into beautiful furniture , desirable household items and lighting .

 

After picking up my jaw up off the ground, Paul showed me around the space,  explaining the reason why he took on such a massive project: As part of a programme by Kevin McCloud for Channel 4, where Kevin Illustrates  how to combat the challenge of growing industrial waste in our environment through upcycling & recycling in a 90-minute TV special,through challenging three designers  (one of which being Paul )to turn an entire Airbus A320 into hundreds of amazing new products in a giant ‘Up-cycling’ experiment. Their task is to find new uses for as much of the plane as possible within the given timeframe, leaving only an empty hangar behind them. The designers to turn the aircraft into loads of amazing new products, the best of the bespoke items would then be auctioned off, with the proceeds (hopefully exceeding the purchase price for the aircraft )going to childrens cancer charity The NCCA.

After showing me around the site Paul presented the chair he wanted help with.  His work is incredible! The armrests came from the airplane fuselages structural beams. Paul used the suspension fashioned from the webbing used to carry cargo/luggage.

 

 

One of my challenges involved reshaping the webbing: Each join on the cargo netting was originally glued as well as stitched together and had to be taken apart without compromising its tensile strength and load-carrying capacity.

The single seat itself was created fusing two of the existing passenger seats. Refurbishing & modifying them so the user can enjoy a relaxed and supported position with a good lower back support. Adjusters were stitched into the seat’s suspension for users to adjust the suspension where required.

From the various fabrics discussed and presented to Paul,  a smart,strong and complimentary coloured tweed from Bute Fabrics in Scotland was chosen. As I worked with the fabric I imagined and applied a stitched, quilted pattern

that I thought would respect the original design lines of the passenger seats.

Overall, it felt a great privilege to be involved in such an exciting innovative project which steps up to illustrate to the extreme the growing problem of industrial waste which strikes to the heart

of a real social, environmental and economic concern.

My sincere and deep thanks go out to Anna Frisch & Ana De Matos for their advice &  support.

Aine Sheehan for her assistance in realising this chairs prototype upholstery

 & Joanna Williams & Jennifer Wingfield @ Flock for their support

Bute Fabrics for their swift response and great service
ArrowMedia
and mostly to Paul & Lizzie  for giving me the opportunity.

[portfolio_slideshow id=1186]

Twin Ercol “Mirakels”…

Earlier this March as spring was beginning to show flashes of a little colour,  I had the great pleasure in refurbishing and recovering  a pair of Ercol’s in a lovely Svenskt Tenn Josef Frank original print from 1930’s called “Mirakel”for a wonderful customer in Walthamstow.. These took alittle longer than necessary as I added my own personal touch of stitching the seat and back cushions with a twin-needle effect in 6 colours. The final finish brought some much needed colour to the studio after the grey sky’s and torrential rain of the previous weeks.

They certainly brightened my customer’s faces upon delivery too!

Before-Ercols

before…

Twin-Ercol-Mirakels

and after!

Detail-twin-needle-stitching

“Sweets for my Suite”…An Art Deco-style 3-piece in Designers Guild Richelieu Dusk & Aubergine

My sincerest thanks to Aine Sheehan for her french polishing,  and finishing(hand-sewing)skills, Anna F for her pattern-forming & cutting and Ola (of Global Chauffeurs ), as well as Addison Lee vans for assisting me in the refurbishment,recover ,production and delivery of a 3-piece art-deco-style suite and complete set of 16 bespoke banquette seat cushions for a very patient high-profile client in Clapham, South London. A lot of stitching (particularly double-piping)went into this. Many lessons in time, human resourcing and project management learned.

[portfolio_slideshow id=1221]

Atelier Ray Clarke Ltd T/A Ray Clarke Upholstery & Design Company registration number :12018355