Tag: Clarke

Working Wonders for Woh& Co

Earlier this year I was commissioned to recover three different styles of chairs in House of Hackney‘s best selling

Palmeral fabric for super talented Mexican designer Valentina Gonzalez Wohlers 

Valentina came to my studio just with her signature V’s Rocker , a vintage Verco office chair ,which Valentina found in pieces dumped on the street near her studio,

and a Lloyd-Loom  style conservatory chair

It took a while for me to come up with all three pieces ( I had a lot on!) but I think

they all came out beautifully . It was a pleasure to see them, and Valentina on show and in use at her new studio at the Bow Arts open studio event in June.

Woh&CO-Rocking-Chair-in-House-of-House-of-Hackney-Palmeral-

Verco-Office-chair-in-HOH-Palmeral-

Woh&Co-Lloyd-Loom-Style-Chair

Yet another Afro-technicolour bundle of (etsy) joy …

This completely bespoke made-from-scratch ottoman stool went out to an etsy enthusiast covered in a selection of african wax block patchwork scraps donated with many thanks from YouMeWe blended with a selection of luxurious european furnishing fabrics , which has now found a home in Ipswich. If you’d like to own any of these pieces to brighten up your home or workspace, check out my etsy page ( https://www.etsy.com/shop/RayClarkeUpholstery) or send me an email with your preferences

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From Tangerine to Aquamarine Wingback Dreams…

Fresh-off-the-bench-Finished-Cathy-Green-Chair

Before (below): 

This reproduction Edwardian-style wingback had seen better days: The right hand facing wing had begun to “flap” around, the seat cushion contained Feathers which had totally degraded and it’s arms has seen better days

Wingback-Chair-before-Cathy-Green

I had brought a selection of my finest velvet ranges to my clients home, where I presented them to choose from I looked over their chair to check its condition. Once a fabric had been agreed  (An FR version of a Kobe “Real” velvet, after some discussions between myself and my client, it was decided to go for some special decorative nails as opposed to the original piping detail,  to provide a different finishing detail to the front arm scrolls. I also instead of using the fillings from the original seat cushion decided to discard and make up a completely new foam & feather combination bespoke seat cushion.

The original arm fillings were removed and also discarded having lost their density and “return”, giving me the opportunity to fit hessian in front of the jumbo elastic webbing. Replacing the old crumbly fillings with upgraded rubberised hair and foams .

 

 

 

 

 

 

After:Fresh-off-the-bench-Finished-Cathy-Green-Chair

 

 I couldn’t get this piece ready in time for xmas, for which I was extremely apologetic. However just before new year this piece was collected and my clients reaction said it looked fab and  “Soooo comfortable”. A dream realised in aquamarine. Many thanks to Richard & Cathy Green for your patience and custom.

 

 

 

Tangerine Dream Nursing Chair Rescue

Jo-and-Myfanwys-ChairBefore ( see below):

In November 2015 this reproduction nursing chair arrived at my studio in a hopeless state: A pet-scratched, threadbare cover basically keeping the frame in some sort of shape, despite having nearly every single dowel joint snapped. Completely eroded foams . A battered sheet of fibreboard formed what was left of the seat.

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To save this piece I had to completely remove and junk all the old covers and fillings (as well as the fibreboard seat)and dismantle and clean what was left of the frame before reassembly using new dowells, gluing and screwing the frame back into shape.

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 After reconstructing the frame I decided to upgrade the seat from the rubbish fibreboard and foam originally fitted, applying lashed serpentine springs and hessian to form the base suspension before fitting a first stuffing layer of rubberised hair and a second layer of the appropriate grade foam . for the back I used elasticated webbing and applied the same fillings as the seat.

Finally making sure the final top cover, a deep rich tangerine velvet from Kobe’s  “Real” range, was made compliant through the use of a flame retardant barrier cloth bonded to the cover before fitting and hand- stitching to the frame.

After:

I decided not to go with the original buttoning pattern as my customer’s wanted to use a different colour for the velvet button details. (perhaps, like the original , if the buttons were made using the same colour as the fabric then I would of gone with the same buttoning formation). Finally cleaning/polishing up the legs with a little beeswax.
This tangerine dream did much to brighten its owners faces when it was unveiled at my studio upon collection.
Many thanks to Myfanwy Taylor and Joanna Maeva for their custom x

Jo-and-Myfanwys-Chair

Cardboard Challenge

Before:

I think this reproduction Edwardian-style armchair was originally from a certain well-known high street retailer. I found an old label stitched inside the seat’s cushion cover.

 I thought it had seen better days though I guess those days must have been even shorter then these suddenly dark and chilly ones we have had recently.

So I started ripping it down, you should of seen my face once I saw how the chair was manufactured!..Is there no end to how low some furniture manufacturer’s and suppliers will go (just to make a profit?) When I saw what was lurking underneath this piece I make no exaggeration when I call this a “cardboard copy”

Peter-Jefferies-chair-Before

After:

Lower-shot-peter-jefferies-chair

Out went all the nasty cardboard and crumbly foam fillings!

Refurbishing the arms, using English jute webbing and hessian wrapped in new rubberised hair and fresh new foams covered in polyester skin wadding.

The refurbished seat base used the same serpentine spring suspension system which were in decent nick, though this time I lashed the springs so they moved in unison and distributed the weight more evenly, prolonging their life.

The top cover (customer supplied) was from Osbourne & Little; a patterned floral weave called “Chandra”. Using a flame retardent barrier cloth to make the chair as fully compliant with the current health safety and fire regulations.

Finally finishing off the chair with old speckled gold decorative nails, choosing a hessian as a base cloth, sourcing some absolutely beautiful front legs with antique brass castors to replace the original old broken ones which had split and were missing their castors.

A much more distinguished, respectable (as well as upgraded) armchair arrived last night to a pleased customers home.

A Tickled Pink Parker Knoll Story …

Before:

Even though I explained that the cost of repair, refurbishment and recovery was comparable to Buying a completely brand new sofa my customer definitely wanted to have this Mid/late 20th Century modern Parker Knoll sofa restored to better than its former glory, as she loved the shape and size and practicality of it; with its fold down arms and fold away back allowing it to provide a great place to rest for her guests.

 After getting it into the studio, the rip-down revealed the extent of the complete seat failure. So I replaced all the broken serpentine springs, lashing them together with the still in good condition steel rods and clips (which took a little time and were a bugger to remove and replace!)

This time I also fitted and lashed hessian to the springs (something that wasn’t done originally), before fitting new wrapped seat foams. Refurbishing the arms with rubberised hair and foams and wrapping them in polyester before  cutting, stitching and fitting the new covers (backed with F/R barrier cloth to make the piece compliant) in a lovely pink velvet called “Peony” from Harlequin

My biggest challenge came with refitting the drop-arm mechanisms: Just when I needed to look at some old photos on my phone with just hours left before delivery,  I managed to loose a number of photo’s on my phone! Which were supposed to remind me of how to replace the drop-arm mechanisms in the arms. On that (very early) morning start I contacted some fellow upholsterers online. Shortly after a coffee I quietly and calmly thought the process through. By the time I did get some great responses back from the forum I had already worked out how to replace them! (Many thanks to those ladies and gentlemen for your input in any case) Nothing beats being able to figure things out for yourself !
Parker-Knoll-Just-collected-and-in-the-studio

After:

Before taking on this project I promised myself I wouldn’t ever work with “Shiny” or metallic Velvets  (They are usually not to my taste) ..However this velvet grew on me as I used it, the colour was lush and deep and for me had just the right level of lustre and by the end result It not only brightened up my studio, but brightened up my customers face and livened up her living room!

Ps: A big Thank you to my mate JJ for helping me deliver it: You’re a diamond!

Finished-and-delivered

 

 

Parker-Knoll-sofa-bed-conversion

 

 

 

 

The Battle of Chesterfield…

In spite of the many upholstery projects I have undertaken over the years I still feel relatively inexperienced and still enjoy the challenge taking on projects which teach me something new. Earlier this year I took on the task of recovering a Chesterfield-style sofa bed using my customers own fabric, a hard wearing velvet of unknown description which had to be backed with an flame retardant barrier cloth, in order for the piece to comply with the relevant UK Health, Safety and Fire Regs.

Although I have completed many deep-buttoned upholstery projects in the past, they mainly involved tackling the buttoning process on a “flat” shape. Even though this was a “modern” piece It still took me a while (and a good day with many thanks from Louise Boyland from Shoreditch Design Rooms )to help me build the confidence to button this shape and get to grips with Van dyking (a method of joining pieces of fabric or leather so that the joins wouldn’t be seen when buttoned).

Yes this project did take slightly longer than my estimated time, however it was my first piece of this type and certainly was worth doing, if not just for the experience but also being the first piece I was able to deliver using the New Nissan e-NV200 all-electric van which I loved using during a 2- day test drive.

My customer was so pleased to eventually have it finished  and delivered(the picture below was the only time I could get a half-decent shot of the piece still partially finished with the decorative nails “) She thanked me with an extra £50 tip.

 

2015-04-27 17.04.03

Non-Identical Twins..

Before:

The first of these pair of G-Plan E-Gomme chairs arrived in my studio last year from a lovely couple near Blackheath/Lewisham area,  who in my past many years ago had been great employers and have grown to become good friends and loyal supporters of my work, having seen my previous projects online and personally knowing what its like to run a business they were more empathic and sympathetic to the (daily) challenges faced being a self employed artisan/craftsperson

 

Cass-&-Neil-Staintons-1st-E-gomme-G-plan-chair

 

After: 

These pieces were a challenge because there not only had to be a fair few changes to the design; having prepared the show wood with the intention of developing one of these pieces to showcase a fabric textile print I had designed,  using the whole process to finally bring to market some of my previous skills in textile design into my current creative manifestation. Even roping in some fantastic help from a talented illustrator (Thanks Sarah McCarthy, your efforts will not be in vain!x)I couldn’t bring the design  to market as I couldn’t bring together enough resources  (I was attempting produce a specific fabric in time and so my customers had little choice but to choose fabrics they had sourced.

Luckily for me these customers had great taste (as well as tremendous patience), choosing 2 fabrics from Osbourne & Little:  Soumak , from their Tabriz Collection of weaves and “Dovetail” from their Abacus collection, making their use in these pieces compliant through the use of a flame retardant barrier cloth. Complimenting these fabrics,  I put together a custom wood stains for each. finishing the wood with layers of shellac and rubbing beeswax to create the right lustre. My heartfelt thanks to Katy Chaytor-Hill and Anna Frisch for their assistance.

 

G-plan-E-Gomme-chair-in-Osbourne-&-Little-'Dovetail'-from-Abacus-collection

 

 

 

 

G-plan-E-Gomme-chair-In-O&L-Soumak-Weave-from-Tabriz-Collection

 

Summer came early for these pair of Parker Knoll chairs and Footstools

 Before:

Contacted last September by a customer in North London, this customer had bought a pair of these Parker Knolls through

eBay with a very specific request to cover them in a certain way using 2 complimentary fabrics

my mission was to get them completed before her family and friends came that Christmas.

Only truth to tell, I  just managed to complete them, plus 2 matching footstools which the customer had found later,

delivering On Xmas Eve Just as everybody else had already packed up and left to be with their families & friends.

 

Twin-Parker-Knolls

 

After:

Refurbished and covered in Bluebellgray Petite Mode with Designers Guild Varese Turquoise with  In the rush to get these delivered I never really got a chance to get decent shots of all the work

So you’ll have to make do with this Phone image that I’m grateful my customer supplied earlier this year.

photo 1

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Atelier Ray Clarke Ltd T/A Ray Clarke Upholstery & Design Company registration number :12018355