Tag: Ray Clarke

Come in No. 10…

It was a difficult decision for me: spend the day on my own putting the finishing touches to a variety of upholstery projects, or attend No.10 Downing Street to mix with the great and the good and actually see what is on the other side of that world famous black door.

It took me about 0.68 seconds to
decide but, as Star Trek fans will know, for an android, that might as well be an eternity..

Having made sure that my visa for travelling was in order, I set off and not, I have to admit, without a degree of trepidation.
Arrival outside that famous street required the kind of security checks you’d find at an airport. I did get a sense of stepping into another “State/Country” and once I’d got through there I was: Stepping across the threshold of a door that throughout history that has opened to heads of state, Kings & Queens, Musicians, artists, pop stars and celebrities.

For obvious security reasons all guests were required to leave their Mobile phones off and waiting in the reception area ( So no pics from me I’m afraid , However the event photographer took one or two shots which were shared amongst all the guests.)

Inside No.10 I climbed a staircase which went up 3 flights adorned with portraits and photographs of all the previous prime ministers going up in Chronological order towards the top, at which point the event took place across a corridor which lead into 3 rooms: The “White” Room , The “Terracotta” Room and the “Pillar ” Room.

There I was mixing with a group of around 200 other entrepreneurs and business leaders, rubbing shoulders with one or two (Conservative) ministers – like properly brushing up against some of the figures I’d only ever seen on political debates on TV – and read about in the papers, from across the African diaspora, all there to celebrate Black Businesses and achievements during Black History Month.

Whatever your political viewpoint, I’ll leave you to imagine my thoughts as we all watched and listened to a presentation in the Pillar Room by the Chancellor, Sajid Javid.

After sipping (perhaps) a few tall , Rum-based cocktails and snacking on Canapes,
Naturally I began to cast my eyes (and hands )over some of the furniture. (Well, after all, that is what I do.!)

This may of illicited some odd sideways looks from one or two of the Downing Street Staff. However one particularly courteous and friendly member of the staff must have twigged that I meant no harm and directed me towards a black leather bound folder embossed in silver letters with the number “10”, which within contained a catalogue of all the artworks on display within the Terracotta room (I found no other catalogue for the White room and Pillar room unfortunately)

She then went on to give me a brief whirlwind history of some of the artworks within the Terracotta Room which I found absolutely engaging if little difficult to absorb all the info amongst the noise of 200-odd people.

I have to say, whatever your thoughts on the state of the nation, the state of a couple of the sofas and easy chairs within No.10 left
me thinking that perhaps they could benefit from the skilled attention of a certain Upholsterer and soft furnisher!

And on my way out I was gratefully given the name of
a facilities manager whom I could contact .

Watch this space for further news.
Eventually I had to return to the slightly less mundane but no less exciting world of colour and fabric that is my studio.
However you might have have noticed a slight spring in my step and a glint in my eyes.

A lovely evening and My Thanks to all who organised the event for inviting me and for being such great hosts!

A Svenskt Tenn Twin Seduction

I fully re-upholstered the first of these two J.C & M.P Smith Ltd Winged Mid-late 20th century armchairs for an award-winning interior designer
Nicola Holden Interiors,

Covered in one of my favourite textile designers, Josef Frank, who designed “Teheran” in the mid-1940’s, however, it’s first print run came in 1991, Available exclusively from Svenskt Tenn

In my perhaps over eagerness to provide the most optimum suspension it had to return to the workshop so I could change the webbing back from Pirelli to jumbo elastic
I guess that chair was so pleased to return, it brought its twin with it!

I totally stripped it back to the frame, and like the first, made sure I fitted the appropriate barrier cloth so the chair met all the UK health, safety and Fire Regs. Finally covering it in another earlier design, circa 1928 called “Aralia”

Re-staining and polishing the show wood , the abundance of colour and the overall finish with nice personal touches from me, like the multicoloured top-stitching on both seat cushions and velvet buttoning in complimentary colours served to deepen my appreciation for this inspirational designers work and gratitude to my client for giving me the opportunity to produce such statement pieces.

My heartfelt thanks also go out to Anna F for assisting me in this process.

A Smart Bavarian Beauty!..

Before: Bavarian Cocktail Chair

This Cocktail Chair, a family heirloom from Bavaria, arrived in my studio workshop (via Erith), at the recommendation of the owner’s partner, a mutual friend who had been following and appreciating my work since we both used to be members of an east London housing co-operative.

Moth-eaten and in need of some love and care, After a fabric and design consultation my client agreed to go with a Herringbone weave from Harlequin, called “Parquet” in colour “Bramble”

Keeping in constant contact with the client during the process of reupholstery was a joy which resulted in some lovely touches, which I feel enhanced the overall new look, including details like the decorative close-nailing in “French Natural” nails and the dark chocolate leather piping detail which gave the chair an air of contemporary though classic elegance.

More Monkey Madness: Transforming a Wingback Chair


This wingback chair was originally donated to me by my good friend, super talented artist and fellow meditator Raksha Patel, which was found discarded on the site of Raksha’s old studio many years ago, at a time when she and a group of her fellow artist friends had to leave a block of studios they used in west London which were being converted into luxury apartments.

For a while there it took pride of place in my living room, giving me a place to sit after many long hours at the workbench. Although it arrived grubby and unloved, I knew If I held onto it long enough , eventually I would find the time to reupholster it.

Thanks to (repeated) episodes of Money for Nothing, a fan of the BBC show got in touch,  requesting a wingback chair to be recovered in my Monkey print, which they had seen on the show. I had other donor chairs but the shapes were not suitable so in the end I offered them the chair. Although I was alittle sad to see it go, I couldnt miss this perfect opportunity to transform the piece and, in my own fabric design.

The ” Rip down” process revealed a really shoddy build quality and a shocking use of really low grade upholstery materials, ripping out cardboard and plastic webbing , which I had ripped out and replaced with Strong elastic webbing , 120z hessian and rubberised hair behind, and to bolster the existing foams used to create the arm shapes. I went on to protect the existing foams in the back and seat suspensions, though the additional use of 12oz Hessian and Polyester Skin wadding, which was completely missing in the original chairs manufacture.


Refurbished and transformed, the old chair did take a little longer to complete than I had originally hoped. However it was finally looking resplendant in my own signature Monkey print on moleskin Velvet, trimmed with Zoffany Velvet and complimented with Sanderson Brianza . With the new Beech wood Queen anne legs , customised in my own spirit-based grey woodstain.

My Many thanks go out to Stacey Lewis, a fellow upholsterer, who came in to assist me in getting this ready, as well as helping me work through many projects in my workshop (reducing my backlog). I also want to say a special thank you to Anna Frisch for her assistance , Heritage Upholstery Supplies for helping me source the new legs. I also wish to thank Anyvan.com for the swift, safe and affordable courier delivery up to Dunstable. My Customer had originally commisioned the piece for her sister, who  upon seeing it, said

“It was better than she thought,  loves the fabric used and was over the moon!”

Turned out “Awight” : A two seater transformation


Producing work for the show @MonForNothing has been a privilege and a pleasure. As well as the exposure, you never truly know who’s watching.

So it was a massive suprise when a television celebrity whom I used to watch on Saturday evening TV shows like “Strike it lucky” and “Family Fortunes” as a kid, calls me up to tell me how much he enjoyed the show and that he would like me to transform an old 2- seater sofa that needed a little love and attention, going into his fantastic newly refurbished and redecorated west London apartment.


After a great visit to my workshop for a fabric consultation, my customer went for a very classy herringbone weave from Harlequin’s Parquet collection in colour Bramble .

finishing the arm scrolls, piping and buttoning in a dark chocolate leather to compliment the restained and polished legs.

 My customer was so pleased with the sofa he ordered an additional bolster cushion, which I created using a fantastic print from Morris & Co. “Forrest” in colour Charcoal, Designed by Alison Gee in 2013

It was a great pleasure to complete the works for this customer who has been very kind, gracious, patient and supportive of my work. His wonderful home has been a great resource of artitic inspiration and it is an

honour to have my work among his great collection of art & furniture.

My Heartfelt thanks to Rowena Murphy and Anna F for their assistance in helping me re-create a lovely piece.

Money for Nothing Project5: Jay VS Ray (Round2) Rocking a Pair of Farmhouse Chairs


Whenever an opportunity to reupholster furniture comes with a fairly open brief in terms of design  I always meet it with a sense of excitement, anticipation and just a little anxiety.

So when Jay Blades and the Money for Nothing film crew came to my studio with these two sorry-looking farmhouse style rocking and static armchairs, despite my initial reactions I did have a few ideas bubbling up for the cushions the overall look, however, unfortunately, due to time pressures and other projects on the bench, There wasn’t enough time to come up with another of my own completely original fabric designs.

I did, however, have a vision in mind of some types of fabrics I wanted to use. Being a Massive fan of Timorous Beasties work in Scotland I had to get my hands on one of their amazing designs.

How I treated the show wood was a question I pondered on for a while:

With great respect to the growing numbers of upcyclers, hobbyists and others keen to revamp their furniture, I wanted to treat the wood to a  finish which was a bit different than just simply repainting, and consequently hiding the wonderful grain patterns, knots and characteristics of these Beech wood frames.

Inspiration came within a few feet of my cutting bench when I noticed while sewing some offcuts of a Designers Guild fabric under the cutting table I had used earlier on this year. A wool from their Capisoli range which had a vertical Ombré effect. I thought: ” What If I translated that effect into the wood using a wood stain as opposed to a paint?


May I present to you this re-imagined vintage farmhouse chairs, now in a stunning @timorous_beasties #Grand Blotch Damask.

Accented with Tangerine velvet piping from @kobe_interior_design “Real” velvet range and complementary border fabrics made from @sanderson1860 “Brianza” creamy velvet.

These chairs had to be fully restored: All joints, back rails, and broken spindles fully repaired and all suspension systems cleaned and refitted.

I  created a custom wood stain with a “3D Ombré” effect.  Featuring deep forest greens moving through to autumnal moss. enhanced through many polished layers of  Beeswax.
To be honest this project became more a labour of love than money folks. Hopefully, these two lovelies will feature in a future episode of @monfornothing for BBC1
Many thanks go out to Olga Mackenzie and Rowena Murphy for their assistance, and Tom Foy for all his woodworking advice and masterful craftsmanship in replacing the broken inside back wood dowel.



Frieze London 2017

A wonderful last-minute invitation last Sunday from 3 super-talented friends (L to R: Fantastic Film-Maker/ Editor Ana Godinho Matos, and multi-talented, multi-disciplinary fine, scultuptural and performance Artists Simon Levy & Rita Jones) to spend Sunday afternoon chatting, wandering through exhibits and discussing the current contemporary/modern art scene at this years Frieze Art fair in Regent’s Park.

Some great (and not-so great) work .. Some of the pieces which caught my eye were the colourful, pop , and darkly satirical sculptures and paintings by KAWS, to the absolutely baffling works by Kraupa- Tuskany Zeider , to a fascinating conversation with Simon and Rita on the life and work of Georg Baselitz while studying his Oil on Canvas ” Nest” , 1990 .

Afterwards we enjoyed a lovely pint of guinness (or 2) over a chat in the Greene Man pub afterwards. Inspirational!

Atelier Ray Clarke Ltd T/A Ray Clarke Upholstery & Design Company registration number :12018355